忠实听众，作为人人避之不及的过街老鼠，在遭到社交界遗弃的无助时刻，受邀来到拉格比，他无疑会感激涕零。因为心存感激，他自然会“帮助”克利福德在美利坚扬名。名声大噪！只要以正确的方式予以吹捧，你就会声名鹊起，无论是什么名声，尤其是在遥远的大洋彼岸。克利福德将是文坛冉冉升起的明日之星，拥有如此强烈的自我推销意识，更是非同凡响。

In the end Michaelis did him most nobly in a play, and Clifford was a sort of popular hero. Till the reaction, when he found he had been made ridiculous.

后来，米凯利斯果真在自己的剧作中将克利福德塑造成为极为崇高的形象，受人追捧的英雄人物。直到听闻到评论界的反应，克利福德才发觉自己充当的不过是被嘲弄的对象。

Connie wondered a little over Clifford's blind, imperious instinct to become known: known, that is, to the vast amorphous world he did not himself know, and of which he was uneasily afraid; known as a writer, as a first-class modern writer. Connie was aware from successful, old, hearty, bluffing Sir Malcolm, that artists did advertise themselves, and exert themselves to put their goods over. But her father used channels ready-made, used by all the other R.A.s who sold their pictures. Whereas Clifford discovered new channels of publicity, all kinds. He had all kinds of people at Wragby, without exactly lowering himself. But, determined to build himself a monument of a reputation quickly, he used any handy rubble in the making.

对于丈夫这种盲目迫切的成名欲求，康妮颇感诧异。克利福德希望成为闻名遐迩的作家，第一流的文坛尖兵。让整个世界都知道他的名字，这个让他捉摸不透的广阔世界，这个他知之甚少、甚至心怀畏惧的无常世界。父亲马尔科姆爵士本就卓有名望，老谋深算，满怀激情，且善于造势，从他身上康妮意识到，艺术家确实需要懂得经营自己，竭尽所能地把自己的作品推销出去。但父亲用的还是老一套，其他皇家艺术学会的成员兜售画作时惯用的手段。而克利福德却发掘出五花八门的新颖造势渠道。他把三教九流的各色人等请到拉格比，还无需自降身份。但决意尽快在文坛闯出赫赫声名，他还是无所不用其极。

Michaelis arrived duly, in a very neat car, with a chauffeur and a manservant. He was absolutely Bond Street! But at right of him something in Clifford's county soul recoiled. He wasn't exactly…not exactly…in fact, he wasn't at all, well, what his appearance intended to imply. To Clifford this was final and enough. Yet he was very polite to the man; to the amazing success in him. The bitch-goddess, as she is called, of Success, roamed, snarling and protective, round the half-humble, half-defiant Michaelis' heels, and intimidated Clifford completely: for he wanted to prosti