[1] S. Laing, Notes of a Traveller on the Social and Political State of France, Prussia, Switzerland, Italy and other parts of Europe, 1842 (1854 ed.), p.275.

[2] Oeuvres Complètes, XIV, p. 17.

[3] H. E. Hugo, The Portable Romantic Reader (1957), p. 58.

[4] Fragmente Vermischten Inhalts. (Novalis, Schriften (Jena 1923), III, pp. 45—6.

[5] From The Philosophy of Fine Art (London 1920), V.I., p. 106 f.

[6] E. C. Batho, The Later Wordsworth (1933), p.227, see also pp. 46—7, 197—9

[7] Mario Praz, The Romantic Agony (Oxford 1933).

[8] L. Chevalier, Classes Laborieuses et Classes Dangereuses à Paris dans la première moitié du XIX siecle. (Paris 1958.)

[9] Ricarda Huch, Die Romantik, I, p. 70.

[11] V. Hugo, Oeuvres Complètes, XV, p. 2.

[12] Oeuvres Complétes, IX (Paris 1879),p. 212.

[13] cf. M. Thibert, Le r?le social de l’art d’après les Saint-Simoniens (Paris n.d.).

[14] P. Jourda, op. cit., pp. 55—6.

[15] M. Capefigue, Histoire des Grandes Opérations Financières, IV, pp. 252—3.

[16] James Nasmyth, Engineer, An Autobiography, ed. Samuel Smiles (1897 end.), p.177.

[17] Ibid. pp. 243, 246, 251.

[18] E. Halévy, History of the English People in the Nineteenth Century (paper-back ed), I. 509

[19] D.S Landes Vieille Banque et Banque Nouvelle, Revue d’Histoire Modeme et Contemporaine, III,(1956), p. 205.

[20] cf. the long-playing records‘Shuttle and Cage’ Industrial Folk Ballads, (10T 13), Row, Bullies, Row (T7) and The Blackball Line, (T8) all on Topic, London.

[22] Select Committee on Drunkenness (Pari. Papers VIII, 1834) Q 571. In 1852, 28 pubs and 21 beershops in Manchester (out of 481 pubs and 1,298 beershops for a population of 303,000 in the borough)provided musical entertainment.(John T.Baylee; Statistics and Facts in reference to the Lord’s Day (London 1852), p. 20.)